One of Rivershore's authors was recently awarded "Best Prologue"! Congratulations to Gina Marinello-Sweeney, author of I Thirst!
Showing posts with label Gina Marinello-Sweeney. Show all posts
Showing posts with label Gina Marinello-Sweeney. Show all posts
Monday, January 13, 2014
Sunday, November 17, 2013
I Thirst: Sale!
Looking for a Christmas gift for a family member or friend? Gina Marinello-Sweeney's debut novel, I Thirst, is currently on sale! This well-written story of friendship will be available on Amazon for 30% off ($8.99) until Black Friday, November 29th.
Wednesday, May 8, 2013
I Thirst by Gina Marinello-Sweeney
I am delighted to announce Rivershore Book's newest published novel, I Thirst by Gina Marinello-Sweeney! (You may remember the interview we had with Gina earlier this year.)
The characters in this book are fun, random, and silly, yet have deeper sides to them. I found myself relating to each of them in different ways, and thoroughly enjoyed following their journeys as they dealt with the complexities of friendship and life. This is the first in a series of three, and I can't wait to read the rest! (Yes, that's a hint to the author...)
From the back cover:
This engaging story is available in paperback on Amazon for $12.99!
Learn more about the book and the author at www.ginamarinellosweeney.com, and feel free to "Like" her on Facebook!
The characters in this book are fun, random, and silly, yet have deeper sides to them. I found myself relating to each of them in different ways, and thoroughly enjoyed following their journeys as they dealt with the complexities of friendship and life. This is the first in a series of three, and I can't wait to read the rest! (Yes, that's a hint to the author...)
From the back cover:
When Rebecca receives a mysterious note from an unknown source, she has no idea how it will change her life. Twenty-year-old Rebecca Veritas is used to being different, but has never felt extraordinary. She is a Dreamer, living in a world of poetry intermixed with the antics of her unique family and eccentric best friend Adriana. When she meets Peter, a young student from Canada who seems somehow to understand her from the start, her perception changes. With "Intermission", the single word in that mysterious note, as inspiration, the two writers embark on an incredible journey to a new world in the form of a story that will ultimately parallel their own lives. Yet, as the story progresses, events remain ever more shrouded in mystery. When unexpected circumstances in the real world throw their lives in disarray, it will be up to Rebecca to find the true meaning of "Intermission" before the curtain closes on the final act.
This engaging story is available in paperback on Amazon for $12.99!
Learn more about the book and the author at www.ginamarinellosweeney.com, and feel free to "Like" her on Facebook!
Friday, March 15, 2013
Author Interview: Gina Marinello-Sweeney
You may recognize Gina from her insightful guest post a few months back. Rivershore Books is thrilled to have been given an opportunity to publish her beautifully written novel, I Thirst. Today, we have an interview with the author.
Gina, can you give us a condensed summary of your book?
When Rebecca receives a mysterious note from an unknown source, she has no idea how it will change her life.
Twenty-year-old Rebecca Veritas is used to being different, but has never felt extraordinary. She is a Dreamer, living in a world of poetry intermixed with the antics of her eccentric best friend Adriana and unique family. When she meets Peter, a young student from Canada who seems somehow to understand her from the start, her perception changes. With "Intermission", the single word in that mysterious note, as inspiration, the two writers embark on an incredible journey to a new world in the form of a story that will ultimately parallel their own lives. Yet, as the story progresses, events remain ever more shrouded in mystery. When unexpected circumstances in the real world throw their lives in disarray, it will be up to Rebecca to find the true meaning of "Intermission" before the curtain closes on the final act.
Did you have a main inspiration?
It really all started with a snapshot of a scene that came to mind my freshman year of college. I envisioned the beginning of Chapter 18 (which will mean absolutely nothing to anyone right now), and it took off. The meaning of the scene--even the tone--and the purpose of the story were very different then. But the picture in my mind remained.
When I finally began to write the novel a year later, things changed. For a while, I discarded the idea that had originally inspired me. I suppose I was all too worried about it sounding cliché. Yet, once again, The Idea tapped persistently on my shoulder...and I finally gave in, telling myself that it was just an "experimental chapter". When an early reader declared that it was her favorite chapter, I realized that I needed to re-think my previous conceptions and actually pay attention to one of the themes in my own book...that something cannot be labeled as "cliché" if it has true meaning. It is my hope that now, about five and a half years after that first vision, it will come across that way to readers.
I Thirst was largely inspired by my understanding of relationships. I think that every writer cannot help but be a psychologist and sociologist in disguise. In order to write a believable character, a writer must get inside that character's head, figure out why he thinks the way he does, and study his interactions with others. Luckily for me, I have always been fascinated by introspection--the workings of the mind and analysis thereof--and human interactions. I tend to joke that I get a bit too analytical at times.
Yet, the most important influence on the relationships of I Thirst was not a psychological study, but my own personal experiences. I am the kind of person who feels things deeply (if, at times, quietly). In that regard, I could really relate to the main character in my novel, Rebecca. A Jane Austen quote may serve to describe her quite well: “There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves; it is not my nature.” Rebecca goes through most of her life with the belief that everyone--aside from, you know, the average, cold-hearted psychopath--cares as much as she does. She has a very loyal heart. I knew that, for the development of her character, she would have to come to terms with the fact that not everyone was like that after all. For a person like Rebecca, that is a shocking realization. Yet, it is equally important that she will find that she is not alone, that there are other "kindred spirits" of a like mind and heart.
The idea for "Intermission", the story within the main story, was sparked by...you guessed it, an intermission. I was sitting during the intermission in a play and the thought crossed my mind that that would make an interesting name of a story. The rest is history!
It seems every author has quirks when they write...what are yours?
Gina, can you give us a condensed summary of your book?
When Rebecca receives a mysterious note from an unknown source, she has no idea how it will change her life.
Twenty-year-old Rebecca Veritas is used to being different, but has never felt extraordinary. She is a Dreamer, living in a world of poetry intermixed with the antics of her eccentric best friend Adriana and unique family. When she meets Peter, a young student from Canada who seems somehow to understand her from the start, her perception changes. With "Intermission", the single word in that mysterious note, as inspiration, the two writers embark on an incredible journey to a new world in the form of a story that will ultimately parallel their own lives. Yet, as the story progresses, events remain ever more shrouded in mystery. When unexpected circumstances in the real world throw their lives in disarray, it will be up to Rebecca to find the true meaning of "Intermission" before the curtain closes on the final act.
Did you have a main inspiration?
It really all started with a snapshot of a scene that came to mind my freshman year of college. I envisioned the beginning of Chapter 18 (which will mean absolutely nothing to anyone right now), and it took off. The meaning of the scene--even the tone--and the purpose of the story were very different then. But the picture in my mind remained.
When I finally began to write the novel a year later, things changed. For a while, I discarded the idea that had originally inspired me. I suppose I was all too worried about it sounding cliché. Yet, once again, The Idea tapped persistently on my shoulder...and I finally gave in, telling myself that it was just an "experimental chapter". When an early reader declared that it was her favorite chapter, I realized that I needed to re-think my previous conceptions and actually pay attention to one of the themes in my own book...that something cannot be labeled as "cliché" if it has true meaning. It is my hope that now, about five and a half years after that first vision, it will come across that way to readers.
I Thirst was largely inspired by my understanding of relationships. I think that every writer cannot help but be a psychologist and sociologist in disguise. In order to write a believable character, a writer must get inside that character's head, figure out why he thinks the way he does, and study his interactions with others. Luckily for me, I have always been fascinated by introspection--the workings of the mind and analysis thereof--and human interactions. I tend to joke that I get a bit too analytical at times.
Yet, the most important influence on the relationships of I Thirst was not a psychological study, but my own personal experiences. I am the kind of person who feels things deeply (if, at times, quietly). In that regard, I could really relate to the main character in my novel, Rebecca. A Jane Austen quote may serve to describe her quite well: “There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves; it is not my nature.” Rebecca goes through most of her life with the belief that everyone--aside from, you know, the average, cold-hearted psychopath--cares as much as she does. She has a very loyal heart. I knew that, for the development of her character, she would have to come to terms with the fact that not everyone was like that after all. For a person like Rebecca, that is a shocking realization. Yet, it is equally important that she will find that she is not alone, that there are other "kindred spirits" of a like mind and heart.
The idea for "Intermission", the story within the main story, was sparked by...you guessed it, an intermission. I was sitting during the intermission in a play and the thought crossed my mind that that would make an interesting name of a story. The rest is history!
It seems every author has quirks when they write...what are yours?
Oh, goodness...I'm not sure if there is a pattern to my madness. I'm a pretty quirky individual--and consistently so--but, when it comes to writing, it seems like my quirks fluctuate based on the scene I'm working on and the current state of my mind. At times, I may write at the computer; in other circumstances, I feel more drawn to the pen. I might write right after an emotional experience or I may reflect days later on a beautiful moment in time. I usually like to write when no one else is around and it's quiet, but I have also had delightful writing sessions to instrumental music or while sitting next to a fellow writer, who is working on her own story. I like writing at odd hours...or, at least, accept it. I love the words "yet", "thus", and "indeed", yet, thus, and indeed, yet, thus, and indeed. I always have too many story ideas at once and can have difficulty deciding upon an object of focus, although it eventually waves frantically in my face, refusing to let me pay attention to its comrades. Then again, sometimes there's a compromise...and two of my stories become one.
I write in notebooks--of various sizes and colors--but random scraps of paper are, at times, grabbed more easily in moments of urgency. (Yes, we writers do take inspiration seriously.) While I may be inspired by the extraordinary, I am also inspired by the most random things in the most ordinary of settings...like the optometry department. (Yes, that is a real example.) Sometimes I "daydream" scenes for my stories before writing them down, but not always. When I do daydream, I often walk around the house in circles, causing my family to believe that I have gone completely insane. My listening skills also go down the drain when I am distracted by an idea. (Sorry, Mom.) I like writing with pens that are pretty, as superficial as that may sound, but sometimes I feel like I shouldn't waste them (as silly as that may sound) and tend to use your standard ball-point pen. I like cross-outs and slashes...and lots of them. Try reading a rough draft of mine; it's a maze...but, hey, there are arrows, which will likewise confuse you. (I suppose, however, that this is a good way to ward off the all-too-curious reader who wants to read a story before it's finished. Because, you know, writing is very secretive...even though most writers probably want to get published.) And I still don't know the answer to the age-long question...whether I love adverbs or adjectives more.
I have consistently found, though, that writing does not come as easily when beckoned. It may be wise to brain-storm, but the worst action that an individual may take is to force himself to write. Trying, thinking, too hard is not always ideal...especially with creative writing. I once advised a fellow writer, “You can’t force it to do anything...or it’s gonna laugh in your face,” that, “by thinking too hard, maybe the inspiration slips out of your brain”. As odd as that may sound, I find it to be true...from personal experience. In those moments where the right word doesn’t seem to materialize or a full-blown “writer’s block” occurs, I feel that it is best to take a step back. This step does not necessarily involve leaving the writing process entirely, but entering another dimension of it. The imagination can often be stirred by something that may closely resemble meditation...a time to think without thinking. Sometimes this may be accomplished by listening to music before writing...or gazing quietly at the sky above, as odd as that may sound. Perhaps that works best for me because it is compatible with my more poetic nature. I would say that I am a poet first, and a novelist second...but I won't because, you know, I'm trying to promote my novel. (Also, the poetry part was a hint.)
Do you have a favorite part of writing?
Ooh, that's a tough one. I love having an idea so persistent that I have to write it down, even if it's 2 a.m. I love that moment in which you keep writing and writing because you're on a roll and somehow the words just come (even if you have to edit some of them out later). I love getting to know my characters so well that I can't bear to say goodbye to them and, thus, determine to turn one book into a series. I love expressing myself through the written word...because it really is the way my heart and mind are translated. I love telling a story, both to myself and a small circle of family and friends...and, now, the world. Sorry for not answering your question...I can't pick just one!
What would you most like your readers to know about I Thirst?
Fred.
(No, seriously.)
Be watching for I Thirst on Amazon and in the Rivershore Books store this spring! We will, of course, announce it here as well.
I write in notebooks--of various sizes and colors--but random scraps of paper are, at times, grabbed more easily in moments of urgency. (Yes, we writers do take inspiration seriously.) While I may be inspired by the extraordinary, I am also inspired by the most random things in the most ordinary of settings...like the optometry department. (Yes, that is a real example.) Sometimes I "daydream" scenes for my stories before writing them down, but not always. When I do daydream, I often walk around the house in circles, causing my family to believe that I have gone completely insane. My listening skills also go down the drain when I am distracted by an idea. (Sorry, Mom.) I like writing with pens that are pretty, as superficial as that may sound, but sometimes I feel like I shouldn't waste them (as silly as that may sound) and tend to use your standard ball-point pen. I like cross-outs and slashes...and lots of them. Try reading a rough draft of mine; it's a maze...but, hey, there are arrows, which will likewise confuse you. (I suppose, however, that this is a good way to ward off the all-too-curious reader who wants to read a story before it's finished. Because, you know, writing is very secretive...even though most writers probably want to get published.) And I still don't know the answer to the age-long question...whether I love adverbs or adjectives more.
I have consistently found, though, that writing does not come as easily when beckoned. It may be wise to brain-storm, but the worst action that an individual may take is to force himself to write. Trying, thinking, too hard is not always ideal...especially with creative writing. I once advised a fellow writer, “You can’t force it to do anything...or it’s gonna laugh in your face,” that, “by thinking too hard, maybe the inspiration slips out of your brain”. As odd as that may sound, I find it to be true...from personal experience. In those moments where the right word doesn’t seem to materialize or a full-blown “writer’s block” occurs, I feel that it is best to take a step back. This step does not necessarily involve leaving the writing process entirely, but entering another dimension of it. The imagination can often be stirred by something that may closely resemble meditation...a time to think without thinking. Sometimes this may be accomplished by listening to music before writing...or gazing quietly at the sky above, as odd as that may sound. Perhaps that works best for me because it is compatible with my more poetic nature. I would say that I am a poet first, and a novelist second...but I won't because, you know, I'm trying to promote my novel. (Also, the poetry part was a hint.)
Do you have a favorite part of writing?
Ooh, that's a tough one. I love having an idea so persistent that I have to write it down, even if it's 2 a.m. I love that moment in which you keep writing and writing because you're on a roll and somehow the words just come (even if you have to edit some of them out later). I love getting to know my characters so well that I can't bear to say goodbye to them and, thus, determine to turn one book into a series. I love expressing myself through the written word...because it really is the way my heart and mind are translated. I love telling a story, both to myself and a small circle of family and friends...and, now, the world. Sorry for not answering your question...I can't pick just one!
What would you most like your readers to know about I Thirst?
Fred.
(No, seriously.)
Thank you, Gina!
Be watching for I Thirst on Amazon and in the Rivershore Books store this spring! We will, of course, announce it here as well.
Wednesday, July 11, 2012
Writing: The Inconvenience of a Passion
Today we have a guest blogger. I would like to introduce you all to a friend and fellow author, Gina Marinello-Sweeney.
2:30 AM.
I have noticed that I often tend to daydream when listening to music; it may call upon my imagination. Like the "meditational" process described earlier, music may prove inspirational prior to writing and, at times, during the writing process. For example, one day I was working on a scene from a story that involved a musical composition. I found that the story of the piano music to which I listened made the story within my story, that of my character’s composition, more real. Yet I generally prefer quiet while I’m writing . . . to think or, as it may be, to simply immerse myself in the process without thinking too hard.
Not so. There's still no simple answer, and the matter is no less mysterious.
Sometimes I find it best to express myself by typing. However, with the novel that I recently completed, I often found myself drawn to the more old fashioned way. In the beginning and final stages, I wrote much of it on Microsoft Word. Yet, "in the middle", for some reason, my thoughts seemed to flow more naturally from the pen than the keyboard. To contradict any possible pattern, the first rough draft of the first chapter, as well as the last, were also penned . . . with a pen.
The truth is . . . there are no rules to writing. And what is true for me may not be true for you, and vice versa.
As it is, this was written primarily in a word-processing document, not in a notebook. However, I randomly decided to print it up . . . and covered it with a delightful mess. Perhaps there is a ‘method to this madness’. But, to me, it is a random array of glory, a moment of spontaneity. This is the inconvenience of a passion, or, better said, The Passion, which I would never choose to relinquish.
So, do you say yes to 2:30 AM? You tell me . . .
2:30 AM.
I rubbed my eyes. Not now.
It is time to sleep. But
Inspiration tapped on my shoulder like a persistent two-year old, refusing to
be ignored.
Oh well. Giving into your child's every whim is bad
parenting. I may not be a parent yet,
but I'm an elementary school teacher. I
know better.
Inspiration threw a fit.
Definitely not the time to give in.
With a sigh that was quickly turning
into quiet acceptance and a slowly-forming smile, I pushed aside the covers of
my bed and moved towards the nearest pen . . .
Inspiration tends to come at the most inconvenient times. It is more likely that the idea for a story or the line of a poem will materialize at 2:30 AM as I lie awake at night than during the afternoon of a rather uneventful day. Although it may be bothersome to get up when clear physical signals indicate that it is time for sleep, some of my best work can admittedly occur at such times as these.
Inspiration tends to come at the most inconvenient times. It is more likely that the idea for a story or the line of a poem will materialize at 2:30 AM as I lie awake at night than during the afternoon of a rather uneventful day. Although it may be bothersome to get up when clear physical signals indicate that it is time for sleep, some of my best work can admittedly occur at such times as these.
Even so, I
may not completely trust myself at that hour. I would prefer to
look at my nightly ponderings the next day, to determine whether or not my work
really was as good as it had seemed at the time. Re-writing and
re-writing is often important. Yet the first spark of an idea may carry more
weight than any re-write or revision.
The first moment must be right for it to
work.
I have
found that writing does not come as easily when beckoned. The worst action that an individual may take
is to force himself to write. Trying, thinking, too hard is not always ideal . . . especially with creative
writing. I once advised my best friend,
a fellow writer, “You can’t force it to do anything . . . or it’s gonna laugh
in your face,” that, “by thinking too hard, maybe the inspiration slips out of
your brain”. As odd as that may sound, I
find it to be true . . . from personal experience. In those moments where the right word doesn’t
seem to materialize or a full blown “writer’s block” occurs, I feel that it is
best to take a step back. This step does
not necessarily involve leaving the writing process entirely, but entering
another dimension of it. The imagination can often be stirred by
something that may closely resemble meditation . . . a time to think without
thinking.
Once upon a
time, a rather sleep-deprived college student happened to look up at the sky .
. . and found herself completely mesmerized by the deep beauty, the profound
truth, it held. While she gazed at this curious,
not-so-anomalous anomaly present every day of her life---yet, perhaps, rarely
seen in its true quality---an inner peace formed in her heart. When she later arrived at the library,
feeling as if her four hours of sleep had magically duplicated, pen found its
owner, and she wrote like she had never written before.
Perhaps
this is because writing comes from deep within you. Even with the unknown worlds of fantasy, my
favorite genre, the world must not be foreign to you. They signify what is important to you, what you are, whether you intend them to
or not. And what occurs before you write may often be just as
important as what happens while you
are writing. For, perhaps, a sketch of
it has already been written somewhere, in the depths of your mind, before you
pick up that pen or use the keyboard.
This ‘think, but also think without
thinking’ theory of mine applies more to creative writing than essays and
research papers. Yet it may prove useful
to a degree with formal papers.
Some of you may be students. With school deadlines, it is often necessary
to write at a given time. Yet, even then, I find that it is
best to move beyond yourself and the material world in
which you live to produce the most genuine writing. Effective
writing is important, but genuine writing makes it yours.
Making it yours.
Making it yours.
I have noticed that I often tend to daydream when listening to music; it may call upon my imagination. Like the "meditational" process described earlier, music may prove inspirational prior to writing and, at times, during the writing process. For example, one day I was working on a scene from a story that involved a musical composition. I found that the story of the piano music to which I listened made the story within my story, that of my character’s composition, more real. Yet I generally prefer quiet while I’m writing . . . to think or, as it may be, to simply immerse myself in the process without thinking too hard.
The reader might argue that all of
this philosophical stuff is fine and good, but that there are still some simple
answers to the writing process . . . like the physical action of actually
typing, the use of a tool in order to write.
Straightforward and simple, right?
Not so. There's still no simple answer, and the matter is no less mysterious.
Sometimes I find it best to express myself by typing. However, with the novel that I recently completed, I often found myself drawn to the more old fashioned way. In the beginning and final stages, I wrote much of it on Microsoft Word. Yet, "in the middle", for some reason, my thoughts seemed to flow more naturally from the pen than the keyboard. To contradict any possible pattern, the first rough draft of the first chapter, as well as the last, were also penned . . . with a pen.
Illogical and archaic, you say! Indeed, cross-outs can result in a “mess,”
but not all “messes” are unfortunate. Outlines
can, at times, prove useful in organizing one’s thoughts. However, in most instances, I delve right
into the writing, unsure as to where it may lead, . . . but that uncertainty
makes it all the more fascinating. Later,
when I type up what I have written in my notebook, revisions that I had not
foreseen often seem to “jump out” at me as if they had always been there.
The truth is . . . there are no rules to writing. And what is true for me may not be true for you, and vice versa.
As it is, this was written primarily in a word-processing document, not in a notebook. However, I randomly decided to print it up . . . and covered it with a delightful mess. Perhaps there is a ‘method to this madness’. But, to me, it is a random array of glory, a moment of spontaneity. This is the inconvenience of a passion, or, better said, The Passion, which I would never choose to relinquish.
So, do you say yes to 2:30 AM? You tell me . . .
Oh, and, yeah, I was that
sleep-deprived college student.
- Gina Marinello-Sweeney, around 2:30 AM
Gina Marinello-Sweeney is a novelist and writer of short stories. As she awaits the publication of her first novel, she is at work on the sequel, as well as the first book in a fantasy series. She is also an avid poet in both the English and Spanish languages. In 2009, she was asked to present some of her Spanish poetry at an international literature conference in Costa Rica. Although unable to attend this event, a presentation of these poems was well received at a local university's Festival of Scholars that same year. Graduating summa cum laude, Gina completed a degree in liberal studies, an elementary school teaching credential, and a minor in Spanish. In her spare time, Gina enjoys producing videos, going to the beach, reading, and traveling.
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